Wednesday, August 15, 2007
Festival Posters
Wednesday, July 18, 2007
Blues Zombie

For the past few weeks, our younger daughter has been studying the great drawing videos of Monster by Mail, the summer work of an artist who will create a custom zombie image for you. The videos are great fun to watch (with songs provided by unsigned independent bands). One thing lead to another, and I had to try my own hand at a "blues zombie"... enjoy!
Friday, July 6, 2007
Emotional Connection
List night, I was listening to Fred Dixon play some old, mournful blues, and I was totally captivated. Sure, the guitar was there, but it was clearly in the background. It was Fred’s voice that carried the song.
That got me to thinking… I have some recordings of some amazing blues guitar players and amazing singers, but not all of them hook me like Fred did last night. On the other hand, I have some recordings of some pretty rough-around-the-edges singers and guitar players that are totally mesmerizing.
So what’s the hook? I don’t think it’s a mystery—even the American Idol mentors and judges harp on it—the hook is emotion that flows from the performer to the audience.
In the blues, I think that the emotional connection may be even more essential (than in other musical forms), since the context of the song often centers around a raw and emotionally challenging experience. Within that context, success in a performance occurs when the performer can break down that suspension of disbelief in the listener and get the audience to believe that the pain (either from a bent guitar note or a raspy line of verse) is real for the performer.
Monday, July 2, 2007
MoMo Blues at MVBF
The festival takes place across two stages (a main bandshell and a "tent stage"). For me, the tent stage always showcases the most unique "old school" performers, and the closeness of the crowd make the experience more intimate.
This year, we attacked the blues festival with t-shirts in hand to advertise the upcoming Old School Guitar Heroes festival in Monmouth. We gave most away during the Catfish Keith show, and had a great conversation with Catfish after the show.
Friday, May 11, 2007
Sounds Great!
Arthur Fowler played a fine set as well, culminating in an amazing acoustic version of Voodoo Child that garnered shrieks from the crowd. Man, he can play!
Thursday, May 10, 2007
Ready for Prime Time?
I took the setup over to Brian Daw of Daw Violins (www.dawviolins.com), and he was able to lower the action on the Harmony a touch, reglue the bridge (so he could put some heavier strings on it), and he rewired the DeArmond with new cabling and a strap-jack in the body.
The next test will be bringing it out to play in public, which I think I'll do at Danny's tonight.
Tuesday, May 1, 2007
We Have the Pick Up!
I was able to grab a DeArmond pickup on eBay. I think it's a 210 of the newer ilk (from the late 1960s), based on the lowered B string pole piece (below the plasic cover). It looks like it's been rewired at least once, but quite some time ago.Last night, I put it in the Harmony guitar and did a quick test, running it through my PA system directly. It has a very nice, meaty and loud sound with a little built-in over drive that sounds nice. I'll need to do some sound tests against a few CDs, but I think we may have close to a good set up.
